-
You'll never guess who it is.
-
-
The searing new documentary only makes Celine's recent Olympics performance all the more breathtaking.
-
"It was not OK. It came out of nowhere," she said.
-
Dirty Pop: The Boy Band Scam is the latest docuseries to reconsider the 90s pop craze, this time through the machinations of Backstreet Boys’ disgraced creator.
-
Kingsley Ben-Adir plays the reggae icon.
-
Indigo Girls get the documentary treatment in It’s Only Life After All, on the heels of Barbie singing “Closer to Fine” in her convertible.
-
Disco: Soundtrack of a Revolution is a call to get down and party. But it’s also a docuseries that foregrounds the music’s true history.
-
This Nashville-based band is covering several iconic ballads at the 2024 RNC.
-
How Music Got Free travels back to a time before music streaming, when there was music file sharing.
-
A prison is transformed into a concert venue in Melissa Etheridge: I’m Not Broken, but the real emotional connections are offstage.
-
Hate to Love: Nickelback dips a little into the band’s status as a target of meme culture. But it’s mostly a doc about a band who nowadays are veterans of ...
-
I Am: Celine Dion delves deep into the superstar’s work to manage her rare neurological condition, known as stiff-person syndrome, and sing for her fans again.
-
Stevie Van Zandt: Disciple is an easygoing hangout doc that fetes its subject’s over five decades as a rocker, producer, and Sopranos cast member.
-
Badgley performed his own stunts for Grande's music video – with some help from her mom's bra, of course.
-
Can't make the festival? No problem!
-
Cyndi Lauper’s long and loud career is celebrated in Let the Canary Sing, a new documentary from director Alison Ellwood.
-
Someone get some bathwater in here — these fans need to be doused off, stat!
-
There are bombshells going off inside of bombshells in the docuseries Fallen Idols: Nick and Aaron Carter, now streaming on Max.
-
What would appear on its surface to be a basic synopsis of a well-covered music-world saga betrays a more pernicious slant in its subtler omissions, emphases, and selective framings.
-
Hey, is that Abby from Yellowstone? No! It’s Lainey Wilson, and Bell Bottom Country is here to tell her story.